Abstract


Yeşilçam Sinemasındaki Baba Tipinin Atalar Kültü Bağlamında İncelenmesi

Digital culture has played a role in a historical place in the age. In the cinema, family and typologies are included in the economy. An important part of Yeşilçam is reflected in general culture products. Historically useful and useful. The follow-up was also watched from the movie frames transferred to the screens. They are given as data in this regard. In Turkish, it is possible to download the father, the accepted sanctity of the father, respect for the ancestors and contact with the father. This undervalued father type in Yeşilçam has been reviewed. The cult of ancestors has been identified in the type of father in Yeşilçam cinema. Examining the father type in the specified films and evaluating it in the context of the reflection of the ancestors cult constituted the subject of the study. The subject examined was evaluated in terms of reflecting the codes of the oral culture medium to the cinema sector, which is the electronic culture medium. In this way, the assumption that "the film/actors can make the audience feel the sense of belonging" has been tried to be shown. “Document analysis” by reaching the data expected to be determined in terms of method in movie scenes; descriptive analysis method, one of the qualitative research methods, was used to evaluate the reflections of the attitudes, behaviors and discourses towards the father detected in the film sections. These reviewed films, "Gülen Gözler", "Ah Nerede Vah Nerede" and "Oh Olsun", starring Münir Özkul and Hulusi Kentmen, belong to the 1970s. Also in the study; With the 1970s, urbanization and the change of family structure sociologically with urban culture, the transformation of the hero and tradition into the cinema industry conceptualized as Yeşilçam were discussed. In the studies on Yeşilçam cinema, mostly women and Turkish family structure have been examined. This study, on the other hand, is remarkable in that it deals with the representation of man on the basis of gender and the father on the basis of social role in the context of the cult of Turkish ancestors, and also in terms of questioning the actuality of the father type.



Keywords

Ancestral Cult, Yeşilçam, Father Type, Verbal Memory, Electronic Cultere Context.


Reference